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Select tracks to download from Greetings & Salutations...
 
Track Title
Value
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1. Tea With Alvinby Dan Shout
R 7.00 ($0.99)
2. Music Gazeboby Dan Shout
R 7.00 ($0.99)
3. Ant In Africaby Dan Shout
R 7.00 ($0.99)
4. Danny Dopamineby Dan Shout
R 7.00 ($0.99)
5. Big Bby Dan Shout
R 7.00 ($0.99)
6. Fear Of Loveby Dan Shout
R 7.00 ($0.99)
7. Etoshaby Dan Shout
R 7.00 ($0.99)
8. Off The Christmas Card Listby Dan Shout
R 7.00 ($0.99)
Album Total: R 56.00 ($7.92) Select All


 
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Greetings & Salutations by Dan Shout

 
Dan Shout - Greetings & Salutations Album Cover

DAN SHOUT : GREETINGS & SALUTATIONS

Agro-Jazz

  1. “TEA WITH ALVIN” is an “Agro Jazz” Fusion tune about post-jam session drinks with a legend of South African Jazz, guitarist Alvin Dyers. Being a Metal and Jazz fan, Shout fuses two of his favourite styles to aurally demonstrate how dangerous it can be for one to consume anything that comes in a teapot when hanging with Alvin and his crew! The track features Shout on alto, tenor and baritone saxes, guitar maestro, Gorm Helfjord, Shane Cooper on electric bass and Mike Horne on drum kit.

  1. “MUSIC GAZEBO” is an amazing composition by Sakhile Moleshe about a man who has a heart attack on his way to a concert in a gazebo. The song depicts the time between life and death, where his ancestors are pulling the man’s soul to the grave, yet his body still wants to drink wine and enjoy the concert. The song is a fantastic medium with which to explore the crazy and more avant-garde sides of one’s instruments and imagination and features the remarkably creative vocal techniques of Moleshe. Shout also imported Czech radio symphony’s percussionist, Justin Ventzke, to feature on Jazz triangle on this recording date.

  1. “ANT IN AFRICA” is a tune written in tribute to Antonio Carlos Jobim. Shout brings the continents of Africa and South America a litte closer by fusing “Jobim-esque” harmonies and chord movements with African sounds and rhythms, such as the 12/8 groove which gives the track an Afro-Jazz lilt. Cape Town drumming legend, Kesivan Naidoo, percussionist, Ronan Skillen and double bassist Shane Cooper all from the Cape Town band, “BABU” feature in this number.

  1. “DANNY DOPAMINE” is a straight-ahead Jazz tune about Shout’s alter ego. Dopamine is the chemical in the brain which makes one happy and have fun which is exactly what this track is meant to do for both performer and listener. The track also has an aggressive rock edge to it, drawing on the Shout’s passion for Rock and Metal. He also composed this track as a medium to feature the outrageous drumming of Kesivan Naido and fusion sounds of Gorm Heljord on guitar.

  1. “BIG B” is soothing ballad drawing on Shout’s years as a Classical musician. The track features a fantastic cellist in Ariella Caira (Sterling EQ) and crescendos from an introduction of Indian Singing Bowl to a climax before fading right back into a peaceful emptiness.

  1. “FEAR OF LOVE” is the second composition on the album by vocalist, Sakhile Moleshe. The track features the tight Funk/Hip Hop/House rhythm section playing of Gorm Heljord (guitar), Shaun Johannes (electric bass) and Mike Horne (drums) and the soulful vocals of Moleshe.

  1. Shout tips is hat to his biggest South African saxophone influence, Mr. Winston Mankunku with “ETOSHA” about one of Shout’s favourite places, Etosha National Park in Namibia. Shout is joined by long-time school and varsity friend and well-known South African trumpeter, Lee Thomson, on flugelhorn. The subtle percussion on this track by Ronan Skillen is the “cherry on the cake” as this track lulls one into a sense of relaxation, as if you were chilling next to a watering hole in the Namib Desert.

  1. “OFF THE CHRISTMAS CARD LIST” demonstrates Shout’s sense of humour drawing from influences such as his Father’s Namibian rock band, Bedrock, and Aussie Comedian, Kevin Bloody Wilson. This 12- Bar Blues number pokes fun at guys who are real men’s men until they get a new girlfriend and suddenly vanish off the scene amidst a flurry of excuses for not being able to hang out anymore! Highlights of the tune are the use of Capetonian, Southern Suburbs slang and West Coast accents in both the lyrics and the telephone conversation as well as really rocking tenor sax and guitar solo’s.

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